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Haitian filmmaker and activist

Raoul Peck
Raoul Peck Photo Call Der junge Karl Marx Berlinale 2017 04.jpg

Peck in 2017
Minister of Culture of Haiti
In office
March 1996 – October 1997
Prime Minister Rosny Smarth
Personal details
Built-in (1953-09-09) 9 September 1953 (historic period 68)
Port-au-Prince, Haiti
Nationality Haitian
Alma mater Deutsche Picture show- und Fernsehakademie Berlin
Occupation Filmmaker

Raoul Peck (born 9 September 1953 in Port-au-Prince, Haiti) is a Haitian filmmaker, of both documentary and feature films.[1] He is known for using historical, political, and personal characters to tackle and recount societal issues and historical events.[2] Peck was Republic of haiti's Minister of Civilisation from 1996 to September 1997.[iii] His picture I Am Not Your Negro (2016), near the life of James Baldwin and race relations in the United States, was nominated for an Oscar in January 2017 and won a César Award in France.[4] [v] Peck is as well the founder of Velvet Film, a picture show product visitor in Paris, New York, and Port-au-Prince.[1] He as well founded "El Dorado Forum" (Port-au-Prince, Haiti) in 1995, a eye that supports the inventiveness and enrichment of artists.[six]

Early years and education [edit]

Peck was born in Port-au-Prince, Haiti. At the age of eight, Peck and his family (he has three brothers including Hébert Peck) fled the Duvalier dictatorship and joined his father in Kinshasa, Congo-kinshasa (DRC). His begetter Hebert B. Peck, an agronomist, worked for the United nations FAO and UNESCO and had taken a chore at that place as professor of agriculture along with many Haitian professionals invited by the government to fill positions recently vacated by Belgians departing after independence. His mother, Giselle, would serve as adjutant and secretary to mayors of Kinshasa for many years.[six] The family unit resided in DRC for the side by side 24 years.

Peck attended schools in the DRC (Kinshasa), in the United States (Brooklyn), and in French republic (Orléans) where he earned a baccalaureate, earlier studying industrial applied science and economic science at Berlin's Humboldt Academy.[ane] Peck e'er had artistic dreams, but these were frowned upon in Republic of haiti, his home land. He then decided to wait until subsequently completing his studies at Humboldt Academy to return to Haiti and pursue his cinematic career. He said, "It'southward what saved me. I didn't come up to Europe thinking that I was going to stay. I knew that I had to educate myself equally much as possible, and so return to Haiti secretly if demand exist."[7] Peck later spent a yr as a New York Metropolis taxi commuter and worked (1980–85) every bit a journalist and photographer before earning a film degree (1988) from the German Motion-picture show and Goggle box Academy Berlin (DFFB) in Due west Berlin.[i]

Political career [edit]

Peck in 2014 at a conference in Frankfurt

Peck served as Minister of Culture in the Haitian authorities of Prime Minister Rosny Smarth (1996–97), ultimately resigning his mail along with the Prime Minister and five other ministers in protest of Presidents Préval and Aristide.[eight] He detailed his experiences in this position in a book, Monsieur le Ministre… jusqu'au bout de la patience. Prime Government minister Smarth wrote an afterword for the volume, and Russell Banks wrote the preface to the outset edition.[ix] On the book'southward re-release in 2015, Radio Metropole Haïti reviewed information technology every bit a portrait of "a formidable democratic movement that profoundly changed the land."[8]

Filmmaking career [edit]

Peck initially adult short experimental works and socio-political documentaries, before moving on to characteristic films. In 1982, he directed his offset short motion-picture show, De Cuba traigo united nations cantar, which described the visit of "Carlos Puebla y Los Tradicionales," a Cuban grouping that played traditional Cuban music, to West Berlin and their concert for peace.[x] He likewise directed Leugt (1983), another short, whose topic was Ronald Reagan'due south visit to Berlin and the vehement protests that arose. Then, in 1983, he continued with Exzerpt, where he took on a disquisitional and playful point of view on Grüne Woche (Green Week), the biggest dietary and agricultural fair in Germany. In 1984, he directed Merry Christmas Deutschland, a study almost the history lessons of Christmas twenty-four hours in Helmut Kohl'south 1984 Germany.[11]

In 1986 Peck created the film product visitor Velvet Picture show in Germany, which then produced or co-produced all his documentaries, feature films and TV dramas.[12]

While still at the German language Film and Television Academy Berlin (DFFB), Peck shot his offset feature film, Haitian Corner (1987), produced by his newly founded company, Velvet Pic. The flick portrays a Haitian human exiled in New York trying to forget being tortured by François Duvalier'southward secret law. When he accidentally runs into a homo he recognizes as a former torturer, function of the "Tontons Macoutes," he must choose betwixt vengeance and forgiveness.[13]

A few years later Peck directed Haitian Corner, a producer asked him to write a screenplay near a Swiss doc's "downward screw" in Africa before returning to his native country equally a "liberated" human being. Yet, Peck made a counteroffer and attempted to launch a fiction project effectually Patrice Lumumba for the first time. This project questioned the bespeak of view of the "black" hero, which was contrary to the usual arroyo where a "European" character told this genre, which investors accepted more readily (example: Steve Biko in Weep Liberty).[14] Because of these challenges, Peck decided to produce a artistic documentary instead. In 1991, this turned into Lumumba, Death of a Prophet, a film nearly the death of Patrice Lumumba in 1961; the 'father of Congo's independence.' Peck wanted to emphasize Lumumba'southward place in the continent's history.[15]

Two years afterwards in 1993, Peck returned to a more Haitian- specific theme with a characteristic, The Man past The Shore, a fictional story about the offset of "Duvalierism" and the implementation of the process of terror through the eyes of an eight-year-old daughter.[16] [17] The story of "Sarah, a daughter who accepts her past demons and decides to alive with them," got him a nomination for a Palme d'Or at the 1993 Cannes Pic Festival.[xviii] The Man past the Shore was the outset Haitian film to exist released in theatres in the United States.[19]

One twelvemonth after The Man past The Shore premiered, Peck directed the documentary Desounen, Dialogue with Death(1994). The documentary, which contains a fictitious narrator and real interviews with Haitians, focuses on the tragedies caused by the economic collapse of Haiti, and explores how dissimilar people cope.[20]

That same year (1994), Peck wrote and directed Republic of haiti, Silence of the Dogs, which documented the confrontation between the democratically-elected Haitian President, Jean-Bertrand Aristide (who was in exile in the U.S.) and his prime minister, Robert Malval (who stayed in Haiti trying to constitute democracy and opposing the military-appointed president, Emile Jonassaint).[21]

Raoul Peck too received the Nestor Almendros Prize of Human Rights Lookout in 1994. Vi years later in 2000, the aforementioned system gave him the Irene Diamond laurels for his work in favor of human rights.[22]

In 1998, Peck was commissioned by the museum curator, Catherine David, to create a video essay about documenta X, a contemporary fine art exhibition, in Kassel, Frg: Chère Catherine.[23]

Later that twelvemonth (1998), Peck directed It'southward Not About Love, commissioned by the French television channel Arte. This mystery virtually exile and memory centers around a woman born in Haiti and living in New York City, and was the start of his collaborations with the producer Jacques Bidou.[24]

Peck received international attending for Lumumba, his 2000 fiction feature film near Prime Minister Patrice Lumumba and the menstruum around the independence of the Belgian Congo in June 1960.[25] [26]

Raoul Peck has besides made his film debut on goggle box. In 2005, he teamed up with American TV network HBO to release his moving-picture show Sometimes in April, about the Rwandan genocide. The motion-picture show starred Idris Elba.[27]

Five years later, Peck was elected Chairman of La Fémis, the French state motion picture schoolhouse, on January x, 2010. He has since been replaced with Michel Hazanavicius.[1]

Cannes Picture show Festival 2012 Jury
(Raoul Peck is sixth from left)

Then, a book of screenplays and images from 4 of Peck's major features and documentary films, called Stolen Images, was published in Feb 2012 by Seven Stories Press.[28]

Peck continued his journeying in the film industry when he was named as a fellow member of the Jury for the Main Competition at the 2012 Cannes Film Festival.[29] He won the Best Documentary prize at the Trinidad & Tobago Film Festival in 2013 for Fatal Assistance.[30]

The Belgian segment of the shoot for his flick Le Jeune Karl Marx (The Young Karl Marx) resumed in Oct 2015.[31] The film is about the friendship between Karl Marx and Friedrich Engels, authors of the Communist Manifesto, during their youth.[32]

More recently in 2021, Raoul Peck connected his partnership with HBO past directing a four part docu-serial, Exterminate all the Brutes (April 2021). In this series near the genocidal aspects of European colonialism, Peck uses Sven Lindqvist'southward book Exterminate All the Brutes, Roxanne Dunbar-Ortiz's An Indigenous Peoples' History of the Us, and Michel-Rolph Trouillot'south Silencing the Past to betrayal the realities of the past and recount the "story of survival and violence." Peck himself narrates the series using both old and new footage and animation to highlight how white supremacy has been at the historic center of nations and has led to "exterminations" of people around the globe. Peck sets a suspenseful tone to the trailer past ending with the words, "Neutrality is not an choice... Over the centuries we lost all bearings because the past has a futurity we never expect."[33] The series already has a score of 82% on Rotten Tomatoes and has been described equally a "fresh, current and revelatory documentary."[34] [35]

La Bourse où La Vie: Profit and Naught But! (2000) [edit]

In 2000, Thierry Garrel, responsible for the Arte documentaries, launched a collection of two by four parts, La Bourse et La Vie. Raoul Peck directed the first part, Profit and Nothing Merely! in 2001. The film takes audiences through the struggles of his native country, Haiti, every bit he narrates the story that portrays the burden and the toll that commercialism had on its citizens.[36] [37]

Lumumba (2000) [edit]

Raoul Peck decided to go back and take on the character of Patrice Lumumba with a feature film that was accessible to the public. Lumumba was released in 2000 and followed the pivotal story of Congolese leader, Patrice Lumumba. Peck used existent images to unveil the "unwritten controversial history" of how Lumumba led the Democracy of Congo towards its independence in 1960.[38] This was Peck's 2nd film on Lumumba, the first was the documentary moving picture, Lumumba, Death of a Prophet (1990).

When asked why he chose to directly a second film on Lumumba, Peck said, "... when I started research for the feature, I was writing pages and pages and I realized that I was writing for another film. I was creating a film about discovering my ain family in Congo and my ain memories in Congo. And I rediscovered pictures my mother took and 8mm films my father shot. Then all of this brought upward a lot for me and the documentary is an expression of my personal relationship to Congo. For me the documentary and the characteristic film are two dissimilar stories. And when I came back to the feature moving picture information technology was a very direct confrontation with the man Lumumba himself."[14]

Lumumba received eight nominations and won 3 awards. It was besides called to exist in the Cannes Directors Fortnight. The film won All-time Feature Film at the Acapulco Black Motion-picture show Festival (2001) and the Panafrican Motion picture and Tv set Festival of Ouagadougou (2001), and was the winning motion picture in the The states' 'Peace' category at the Political Film Gild (2002).[39] Lumumba has a score of 81% on Rotten Tomatoes.[34]

Lumumba is available to stream on Kanopy, gratuitous to students with a valid academy email business relationship.

Sometimes In April (2005) [edit]

This HBO T.V. movie in English came out in 2005. In this war drama based on actual events, Raoul Peck describes Rwanda's 1994 massacre. A Hutu soldier (Idris Elba) fights for his family unit as they endeavor to save themselves from being a role of the "almost 800,000 people" killed during the "uprising."[27]

After the success of Lumumba in the U.s.a., T.5 channel HBO, who bought and broadcast the film (the first English language dubbed airing in American television), offered Raoul Peck a projection that would later become Hotel Rwanda (United Artists, produced past Terry George). Raoul Peck posed a certain number of generally "unacceptable" conditions in the United States. He hesitated to make the moving picture because of "the lack of film infrastructure."[forty] He wanted to exist able to tell the story from the point of view of the Rwandan people and be able to shoot in Rwanda. Unexpectedly, Collin Collender, the President of HBO films, accepted all of his demands and the project began product.[41]

In 2001, while in Rwanda, Peck became overwhelmed and convinced of the need to react to the Rwandan Genocide. Peck then immersed himself in the story of Rwanda and studied multiple reports, books, documents and collected various testimonies to try to empathize the Rwanda of today.[40]

Lumumba's success in Africa opened many doors for Raoul Peck, and he was able to shoot in Rwanda despite the initial difficulties (logistics, insurance, human resources). Peck said, "I felt we could brand a film in which the Rwandan people can recognize themselves and participate at every level ... that information technology make sense to the people here offset and then to the rest of the world…After many months here, we are convinced filming in Rwanda was the correct matter to exercise…. every single line of this moving-picture show, of the screenplay, is authentic and based on facts."[40]

The Rwandan people were the commencement to see the film considering of the moral agreement that Raoul Peck concluded with them. An American studio even allowed the world premiere of Sometimes In April in African territory. Thousands of people watched two projections on a giant screen in the Kigali arena. "I could only imagine making this film if the Rwandans were the first to come across it. Whatsoever the critics say does not matter to me. The only people whose judgment I would accept are the Rwandan people."[42]

In competition in Berlin, Sometimes in April, aired in the United States with huge success and was even broadcast by the national public chain, PBS, for complimentary. This unique airing was made available to the public and followed past a console discussion.[43]

Sometimes in April won "TV Program of the Year" at the AFI Awards (2006) and took habitation the accolade for 'Best Moving picture' at the Durban International Picture show Festival (2005) in Southward Africa.[44]

Amazon Prime number Video offers Sometimes in April with a valid subscription (must rent/buy the film).[45]

I Am Not Your Negro (2016) [edit]

In 2016, Peck directed a documentary film, I Am Not Your Negro, which follows writer James Baldwin, as he used his "unfinished novel, Remember This House" to highlight the history of society'south poor treatment of African Americans in the Us. In the pic, Samuel L. Jackson narrates the story of African American struggles and abiding oppression throughout time. The book and film highlight real messages and footage of civil rights leaders like Martin Luther Rex Jr., Malcolm X, and Medgar Evers to put into perspective the evolution of racism in the U.s..[46] [47] Raoul Peck took near ten years to attain the rights to the picture show.[46]

The film premiered at the 2016 Toronto International Moving picture Festival, where it won the People'southward Choice Laurels in the documentary category.[48] Shortly after, Magnolia Pictures and Amazon Studios acquired distribution rights to the picture show.[49] [50] Information technology was released in the U.S. for an Oscar-qualifying theatrical run on December 9, 2016, before re-opening on February 3, 2017.[51] It received an Oscar nomination for Best Documentary Feature for the 89th University Awards but the accolade ultimately went to director Ezra Edelman for O.J.: Made in America.[52] [53] All the same, the successful film did win a César in France for Best Documentary Film in 2018.[5] Additionally, I Am Not Your Negro won an Emmy award in the "Outstanding Arts and Culture Documentary" category in 2019.[5]

I Am Not Your Negro received positive reviews from critics. On Rotten Tomatoes, the film has an approval rating of 97% based on 78 reviews, with an boilerplate rating of 9/ten. The site's critical consensus reads, "I Am Not Your Negro offers an incendiary snapshot of James Baldwin's crucial observations on American race relations -- and a sobering reminder of how far we've even so to get."[54] On Metacritic, the film has a score of 96 out of 100, based on 30 critics, indicating "universal acclaim".[55]

I Am Not Your Negro is available to stream on Kanopy, free to students with a valid academy email account.[56] Viewers tin can also watch it on Netflix U.South. with a valid subscription.[57]

The Young Karl Marx (2017) [edit]

The Young Karl Marx was released on March 2, 2017, in Germany. The film is about the friendship between Karl Marx and Friedrich Engels, authors of the Communist Manifesto, during their youth.[32] While the film follows Marx and Engels, women also play a part in the story. Jenny Marx, Karl Marx's wife, assisted with the final draft of the Manifesto. At the aforementioned time, Mary Burns, Engels' partner, played the office of mediator between the two philosophers in the flick.[58]

During an interview with The Hollywood Reporter in 2017, Raoul Peck highlighted Marx'due south influence throughout his didactics while growing up; "All I am today is considering of the structure that I got when I was studying the piece of work of Marx...At that time, in the 1970s and 1980s, you needed to face up yourself with those books because it is your past, it is your nowadays."[59] When the interviewer asked Peck what research he used for the pic, Peck mentioned that the messages between the characters in the movie assisted in the creation of the film. "When you read the letters between Marx, Engels, [Marx's wife] Jenny and their friends, they're incredible. It's lively, it'south funny, information technology'southward ironic. They were jokers with sharp tongues."[58]

The Young Karl Marx took home the Founders Grand Prize for 'best script' at the Traverse City Moving-picture show Fest in 2017. Furthermore, information technology won "Best Motion-picture show" at the 2017 International Festival of Historical Moving picture.[sixty] On Rotten Tomatoes, it has a score of 62% based on 50 reviews.[34]

Style and influences [edit]

Since the get-go of his career, Raoul Peck'south filmography reflects an ensemble of films with a particular writing style. His subjects are historical, political, and personal characters. His work considers his fragmented biography (with the intellectual and economic conflicted perspective). It also structurally exploits the effectiveness of American picture palace. In this way, he uses more complex approaches like collages, fourth dimension overlay of the story, flash-frontward, or flashback, the recurrent use of voice-over, the writer, character, and the object point of view according to the needs of the project. These multiple approaches, both formal and structurally aesthetic, permit for the organic mix of politics, history, poetry, and the personal.[2]

On his writing procedure [edit]

Raoul Peck would go abroad a lot. He said that when he goes abroad he can discover a sort of peace. It was hard being a black writer in America. In other parts of the world he was way more accustomed. Being away from all of the racism helped him focus on his piece of work.[61]

Finding a writing partner (this task is difficult as is) with a biographical, philosophical, or a political contour that permits a common or complementary approach has always been a difficult procedure for Raoul Peck. Nonetheless, Peck establish a friction match in screenwriter Pascal Bonitzer when writing The Young Karl Marx. He said, "The artistic challenge — and it took me ten years with Pascal to write this story — was the writing. That was the most difficult office. We were making a film about the development of an idea, which is incommunicable. To be able to have political soapbox in a scene, and yous can follow it, and it'southward non simplified, and information technology's historically true. This is the accomplishment."[62]

Raoul Peck had the opportunity to renew this type of collaboration in the United States with writer Russel Banks (with ii ongoing projects).

[edit]

The documentary approach is similar to that of the fiction for Peck (vox-over, a mix of politics, history, retentivity, poetry). For that matter, whether it exist Haitian Corner, Lumumba, Sometimes in April, or 50'Affaire Villemin, the uses of reality, documents, and truthful and lived details, is constant. Simultaneously, his films' political and personal factors are affected by his interest in politics and social issues. He says, "I came into the film manufacture because of politics, because of content—non considering I wanted to make Hollywood films." Peck wants to alter the way people view history; he would similar to brand audiences feel and cause a reaction inside them. During an interview with Professor Meryem Belkaïd at Bowdoin College in Maine, Peck stated, "Peculiarly in America, cinema is an industry that claims that its purpose is amusement … The trend is to please the audience, it is not so much to provoke." With this in mind, Peck's goal is to create films that are meaningful.[63]

Personal life [edit]

Peck divides his fourth dimension between Voorhees Township, New Bailiwick of jersey, U.S.; Paris, French republic; and Port-à-Piment, Haiti.[64]

Awards and accolades [edit]

  • Homo Rights Watch's Nestor Almendros Prize (1994)[1]
  • Sony Special Prize, Locarno Festival (for Chère Catherine, 1997)
  • Human Rights Watch'southward Lifetime Accomplishment Award (2001)[ane]
  • Procirep Prize, Festival du Réel (for Lumumba—Death of a Prophet, 2002)[65]
  • Best Documentary, Montreal Film Festival (for Lumumba—Decease of a Prophet, 2002)[66]
  • Jury member, Berlin International Motion-picture show Festival (2002)
  • Human being Rights Lookout's Irene Diamond Lifetime Achievement Award (2003)[ane]
  • Trinidad and Tobago Film Festival Best Documentary Prize for Fatal Assistance (2013) [30]
  • Oscar nomination in the Best Documentary Feature category for I Am Not Your Negro, 89th Academy Awards[67]

Filmography [edit]

Feature films[68] [edit]

Year Original title [68] English title [68] Credits [68]
1987-88 Haitian Corner (Characteristic moving-picture show, 1987–88) — Director, Writer
1990 Lumumba: La mort du prophète (Documentary) Lumumba: Expiry of a Prophet Director, Writer,

Producer, Editor

1993 L'Homme sur les quais (Feature) The Homo by the Shore Manager, Writer
1994 Desounen: Dialogue avec la mort (Documentary) Desounen: Dialogue with Decease Director
1994 Haïti - Le silence des chiens (Documentary) Haiti - Silence of the Dogs Manager
1997 Documenta 10 - Die Filme (Documentary) — Director
2000 Lumumba (Feature film) — Director, Writer,  Producer
2001 Le turn a profit et rien d'autre! (Documentary) Profit & Aught Just! Or Impolite Thoughts on the Grade Struggle Manager, Editor
2005 Sometimes in April (Feature film) — Manager, Writer,

Executive Producer

2013 Assistance mortelle (Documentary) Fatal Assist Managing director, Writer (concept),

Producer

2014 Meurtre a Pacot (Feature pic) Murder in Pacot Director, Author, Producer
2016 I Am Non Your Negro (Documentary) — Director, Author (scenario),

Producer

2017 Le jeune Karl Marx (Characteristic pic) The Young Karl Marx[69] Director, Writer,

Producer, Actor (uncredited)

Short films[68] [edit]

Year Original championship[68] English championship Credits[68]
1982 De Republic of cuba traigo un cantar - Director
1983 Exzerpt - Director
1983 Leugt - Director
1984 The Government minister of the Interior is On Our Side - Manager
1984 Merry Christmas Deutschland - Director, Writer,

Editor, Cinematographer

1997 Chère Catherine - Director, Writer
2010 On bosse ici! On vit ici! On reste ici - Director

Television[68] [edit]

Year Original title[68] English title [68] Credits[68]
1998 Corps plongés (Tv motion-picture show) It's Not About Love Director, Author
2006 L'Affaire Villemin (TV serial, vi parts) - Director, Writer
2008 L'école du Pouvoir (Idiot box Movie) - Director, Writer
2005 Sometimes In April (TV Movie) - Director, Author,

Executive Producer

2009 Moloch Tropical (Television receiver Movie) - Manager, Writer, Producer
2021 Exterminate All the Brutes (TV docu-series) - Director, Writer, Producer

Publications [edit]

  • J'étouffe. (2020) Éditions Denoël. ISBN 978-2207162385. (In French)
  • Monsieur le Ministre... Jusqu'au tour de la patience.(2016) Velvet Editions. ISBN 9782913416000. (In French)
  • Stolen Images: Lumumba and the Early on Films of Raoul Peck. (2012) 7 Stories Press. ISBN 9781609803933.
  • Peck, Raoul. (2018, Feb 22). Baldwin and Marx - Same Struggle?Talkhouse. https://www.talkhouse.com/baldwin-marx-struggle/
  • Peck, Raoul. (2017, February. 1). Journey With James Baldwin: A Personal Note from the Director of I Am Not Your Negro . Guernica. https://world wide web.guernicamag.com/on-a-personal-annotation/
  • Peck, Raoul. (2020, July 3). James Baldwin Was Right All Forth. The Atlantic. https://www.theatlantic.com/culture/annal/2020/07/raoul-peck-james-baldwin-i-am-non-your-negro/613708/

See too [edit]

  • James Baldwin
  • Russel Banks
  • Jacques Bidou
  • Pascal Bonitzer
  • Velvet Picture show

References [edit]

  1. ^ a b c d eastward f chiliad h "Raoul peck – Velvet Film". Retrieved 4 April 2021.
  2. ^ a b "Raoul Peck | Encyclopedia.com". www.encyclopedia.com . Retrieved 4 Apr 2021.
  3. ^ Jeanne Garane, in "Peck, Raoul", Beak Marshall (ed.), France and the Americas: Culture, Politics, and History, ABC-CLIO, 2005, p. 919.
  4. ^ Pope-Sussman, Raphael. "Manager Raoul Peck Discusses His Oscar-Nominated James Baldwin Documentary 'I Am Non Your Negro'". Gothamist. Archived from the original on 28 January 2017. Retrieved 17 February 2017.
  5. ^ a b c "Raoul Peck". IMDb . Retrieved 10 April 2021.
  6. ^ a b Pierre-Pierre, Garry (8 May 1996). "AT Luncheon WITH: Raoul Peck;Exporting Haitian Civilization to the Globe". The New York Times . Retrieved 25 Apr 2014.
  7. ^ Barlet, Olivier (11 May 2012). "La Leçon de cinéma de Raoul Peck". Africultures (in French). Retrieved 1 April 2021.
  8. ^ a b "Raoul Peck sera en signature le samedi 12 decembre prochain". Radio Métropole Haïti (in French). 4 December 2015. Archived from the original on 12 December 2015. Retrieved 17 Feb 2017.
  9. ^ "Haiti - Literature : The writer Russell Banks at the third Edition of the International Book Fair in Haiti". HaitiLibre.com. 12 Nov 2015. Retrieved 17 February 2017.
  10. ^ lisaparavisini (20 November 2015). "Retrospective of Raoul Peck Films at BFI Southbank Centre in London in Dec". Repeating Islands . Retrieved 1 April 2021.
  11. ^ "Raoul Peck". IMDb . Retrieved four April 2021.
  12. ^ "Velvet". www.velvet-film.com (in French). Retrieved 17 February 2017.
  13. ^ Peck, Raoul (vii March 1990), Haitian Corner (Drama), Patrick Rameau, Aïlo Auguste-Judith, Jean-Claude Eugene, George Wilson, Journal Filmproduktion, Ministère de la Coopération, New York Urban center Quango for the Art, retrieved 5 April 2021
  14. ^ a b Indiewire; Indiewire (2 July 2001). "INTERVIEW: "Lumumba" Redux; Peck Returns to Congo for Ballsy Bio-Moving-picture show". IndieWire . Retrieved four April 2021.
  15. ^ "California Newsreel - LUMUMBA: LA MORT DU PROPHETE". newsreel.org . Retrieved 5 April 2021.
  16. ^ Gelder, Lawrence Van (17 May 1996). "Flick REVIEW;Oppression Measured In Suffering". The New York Times. ISSN 0362-4331. Retrieved 1 April 2021.
  17. ^ "The Homo by the Shore". Fourth dimension Out Worldwide . Retrieved ane April 2021.
  18. ^ Fifty'homme sur les quais - IMDb , retrieved 1 April 2021
  19. ^ "Festival de Cannes: The Man by the Shore". Festival de Cannes . Retrieved xix August 2009.
  20. ^ "Desounen, Dialogue Avec La Mort, (Dialogue With Decease), 1994". windowsonhaiti.com . Retrieved 1 April 2021.
  21. ^ "Republic of haiti - Silence of the Dogs | Films from the Due south". www.filmfrasor.no . Retrieved 1 April 2021.
  22. ^ "international jury | United Nations Educational, Scientific and Cultural Organisation". www.unesco.org . Retrieved 1 April 2021.
  23. ^ "Actividad - Films from documenta X -". www.museoreinasofia.es . Retrieved four April 2021.
  24. ^ "CORPS PLONGÉS". JBA PRODUCTION. 10 May 2017. Retrieved 5 Apr 2021.
  25. ^ Mitchell, Elvis (27 June 2001). "FILM REVIEW; An African Leader's Brief Bonfire of Glory - NYTimes.com". New York Times . Retrieved 17 February 2017.
  26. ^ Tunzelmann, Alex von (xiv June 2012). "Lumumba fights its corner as a cosmetic to imperialism". The Guardian . Retrieved 17 Feb 2017.
  27. ^ a b Peck, Raoul (19 March 2005), Sometimes in April (Drama, History, War), Idris Elba, Carole Karemera, Pamela Nomvete, Oris Erhuero, CINEFACTO, HBO Films, Velvet Film, retrieved four Apr 2021
  28. ^ "Stolen Images", Seven Stories Press.
  29. ^ "The Jury of the 65th Festival de Cannes". festival-cannes.com. Cannes Film Festival. Retrieved 25 April 2012.
  30. ^ a b Galloway, Stephen (30 September 2013). "Trinidad+Tobago Film Festival Crowns 'Melaza' every bit Best Feature". Hollywood Reporter . Retrieved 14 April 2015.
  31. ^ Fabien Lemercier (ane October 2015). "Raoul Peck shooting Le jeune Karl Marx". Cineuropa - the best of european movie theater . Retrieved x Dec 2015.
  32. ^ a b Obenson, Tambay A. (1 October 2015). "Revered Haitian Filmmaker Raoul Peck Is Currently Filming 'The Young Karl Marx'". Shadow and Act . Retrieved 10 Dec 2015.
  33. ^ "Exterminate All the Brutes". HBO . Retrieved 4 April 2021.
  34. ^ a b c "Raoul Peck - Rotten Tomatoes". www.rottentomatoes.com . Retrieved 9 April 2021.
  35. ^ "Raoul Peck's new documentary dismantles the American dream". Telly Guild . Retrieved 9 April 2021.
  36. ^ "Icarus Films: Profit and Nothing But!". icarusfilms.com . Retrieved 4 Apr 2021.
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Further reading [edit]

Baldwin, J, Peck, R, Strauss, A, (2017). I Am Not Your Negro: A Companion Edition to the Documentary Film Directed by Raoul Peck. Vintage International. ISBN 9780525434696.

Pressley-Sannon, Toni (2015). Raoul Peck: Ability, Politics, and the Cinematic Imagination. LEXINGTON BOOKS. ISBN 978-0739198780.

Velvet Picture show Company

External links [edit]

  • Raoul Peck at IMDb
  • California Newsreel page on Lumumba: La mort du prophète
  • Garry Pierre-Pierre, "AT Luncheon WITH: Raoul Peck;Exporting Haitian Civilisation to the World", The New York Times (Movies), 8 May 1986
  • "Moloch Tropical" by Raoul Peck - Pacificfreepress.com, July 2010

grossmestans1945.blogspot.com

Source: https://en.wikipedia.org/wiki/Raoul_Peck

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